News & Thoughts

The Grace Year by Kim Liggett. 4/5
In this dystopian novel, young women are forced from their small and conservative community to an island where they must spend a year fending for themselves and trying to avoid the hunters—called poachers—who would kill them and sell their body parts as elixirs of youth back to the community. Tierney has witnessed two of her sisters depart for and return from this rite, broken and scarred. She’s been raised with live-sustaining and saving skills, and soon learns that her understanding of science, above the beliefs of the other women in magic, will save her and as many other women she can convince to believe her. The characters are well-drawn and evolve in interesting ways; the setting is original while not too alien to understand; and the writing is well-paced and vivid. In the end, Tierney’s discoveries hint at resilience and resistance among the women of the com, and with that, a hope for change.

Pricked by Scott Mooney. 2/5
This book, set in New York and its parallel fairy city, the Poisoned Apple, has some clever ideas, terrible puns, and the potential to be part of a fun series, except that it’s also a contradictory hot mess. A woman with the magical ability to change people’s emotions is tasked with finding a kidnapped non-magic man—all fine and good. But the author both claims the main character is a feminist and has her goad her male assistant by asking him sic he’ “always going to be the woman” in tough situations; later the character calls Harlem “a place tourists go to die.” Other unfortunate digs include those made at fat characters and “fly over country.” There’s also a nasty comment that the kidnapping agrees with a character because it’s caused her to lose weight. If the book went through a round of developmental editing and some sensitivity reading, it could be a winner. As is, though, it’s its own poisoned apple.

Died in the Wool by Melinda Mullet. 4/5
A nice mystery set in and around Edinburgh and the whisky business. Although one of a series, this requires no previous knowledge of the previous books in the series. The protagonist, a former reporter and photographer who has taken on a number of business and charity responsibilities, is smart and engaging as she finds herself in the middle of a dispute between a landowner and women’s shelter that escalated to murder. Several twists keep the plot moving, and the resolution is a satisfying one. I think many readers will enjoy leaning about the whisky business and, possibly, the care of sheep (I says this as someone who first learned about single malts, at about age 11, by way of Dick Francis’s novel Proof.)

The Warlow Experiment by Alix Nathan. 1/5
Some readers may find this novel of a social experiment set in the eighteenth century a fascinating intellectual story, but I just found it tedious. An eccentric and wealthy landowner interested in all things scientific offers a relative fortune to anyone who agrees to live in a cellar and without human contact for seven years. The only man who applies is desperately poor; his journey of exploitation is a difficult one, even as he is contacted by servants and provided with material luxuries. Above ground, the story of his keeper is predictably problematic but also, alas, dull.

Wake, Siren by Nina MacLaughlin. 2/5
If the folks in Ovid’s Metamorphoses were from New York and somewhat uncouth, they might sound like these retelling of their stories from MacLaughlin. Some of the reworking are fun in terms of humor and eroticism, but I didn’t really feel like these offered new insights or changed the relevance of the stories. There’s a lot of justifiable anger in the stories, but little in the way of new reckonings or new angles, Still, this collection might find a home in literature classes on adaptation or revisiting classical works.

The Ghosts of Eden Park by Karen Abbott. 1/5
This would have made a solid feature-length article, but as a book, there’ just isn’t enough meat. Abbott tries to tell a story about t he business and professional lives of the figures involved in the case of Prohibition-era liquor magnate George Remus, but never quite manages to bring everything together in a coherent tale. Her dips in and out of prosecutor Mabel Walker Willebrand’s personal life aren’t well-connected with her professional story, and Willebrand’s encounters with Remus never quite seem to be very dramatic or interesting either. There’s a lot of repeated material and a good deal of testimony from court cases that doesn’t shed any additional light on the people or issues involved, and it ends up feeling like filler. A good developmental edit might have turned this into a better book, but as is, I can’t recommend it.

Blood On The Stone by Jake Lynch. 1/5
An unfortunately dry and slow-paced murder mystery set in Oxford in 1681, as Charles II meets with Parliament. The characters might be interesting and t he plot might be okay if the pacing wasn’t so lethargic and the language was more lively, but I found this a dull read.

I Like to Watch by Emily Nussbaum. 5/5
A terrific collection of Nussbaum’s writing on television, this book is personal, witty, and thought-provoking. Critic Nussbaum explores tv writing, fans, commercialism, product placement, dealing with the legacies of predatory actors and directors, and other crucial topics in the medium. Highly recommended for tv and film consumers.

Pawsitively Poisonous by Melissa Erin Jackson. 1/5
Intended as a cozy mystery set in a cat-centric town and featuring a magic user who invents toys and makes potions for the townspeople, this novel unfortunately leaves the cozy far behind when the protagonist starts using her magic to manipulate and force people into doing things against their will and without their consent. It’s a disturbing book, in which the central figure gives herself the rights to alter people’s lives to get what she wants, both inside and outside of a murder investigation.

[Dis]Connected by Courtney Peppernell; Tyler Knott Gregson; Noah Milligan; Caitlyn Siehl; Raquel Franco; Wilder; Alicia Cook; Komal Kapoor; KY Robinson; NL Shompole. 2/5
In this collection, 12 writers contributed poems, and then each one wrote a story using a line from a different writer’s poem. The result is very uneven. None of the works particularly stand out, and the stories’ incorporations of lines from the poems—which are bolded in the stories—are forced and awkward. I’d rather have read more work from each author without the gimmicky structure of the collection.

Ghost Trippin’ by Cherie Claire. 1/5
I get it that the American South is mythologized and adored unthinkingly and also loathed and despised, often for good reasons, but to start off a book set in the South with a joke that references Deliverance and banjos (and, therefore, rape and the idea of unintelligent and violent locals) is just not a good way to get people to like your book. The other stereotypes that follow aren’t any better, nor is the continuous judging of Southern art, homes, terrain, and people. This is one in a series, and the presentation of the background material is disjointed and difficult to follow. Throughout the book, the narrator laughs at the names of people, places, and animals; drinks booze with Tylenol, a combination that could easily make her dead, not just someone able to speak to those who are; is ableist and classist; and does things that make no sense. A heavy edit could make this something good, but as it is, I can’t recommend it.

Hexarchate Stories by Yoon Ha Lee. 5/5
Excellent, clever, and often funny stories mostly about Shuos Jedao, a primary character from Lee’s trilogy set in the same universe. drawing on Lee’s own experiences as an Asian-American in Texas. I loved these origin stories and escapades and gaining an even better feel for the world in which they’re set. I recommend these stories and the full Machineries of Empire series.

Buried in the Stacks by Allison Brook. 2/5
Just not for me, I think. The writing was simple and the dialogue felt unnaturally formal and expository. But for people who want an easy read at a fairly low level of vocabulary and such (maybe 6th grade level?) and who like mysteries and ghosts, this might be a fit.

Gravemaidens by Kelly Coon. 5/5
This is a great read. In a society where leaders who die are entombed with three young women as sacrifices, a young healer is trying to hold her father together after the death of her mother in childbirth. When her sister is chose to accompany the dying leader to the grave, the healer knows she has to cure him to keep her sister from dying as well. But the palace is full of intrigue and plots, and it takes skill, cunning, and a group of excellent friends to put together a plan to save all of the women. The world-building is good, the characters are strong and real, and the novel is filled with glittering details and bits of lore I found fascinating.

If, Then by Kate Hope Day. 5/5
This is a lovely meditation on the possibilities of the multiverse and the incalculable potential lives we all lead. Told through the stories of a group of neighbors in Oregon living under the shadow of a volcano, Day’s storylines weave in and out of different timelines and paths. Each neighbor has visions of what might happen–or be happening–in their lives in alternate universes, and the entanglements of their lives and visions propels them into new beginnings, new outlooks, and new ideas. A doctor sees herself falling in love and living with a coworker; her husband sees himself as a homeless, unstable ex-academic; a woman who has left academia and had a baby sees herself with different children and careers. The book is elegantly and often beautifully written, and the characters–and their different selves–are well-drawn and developed. This would be perfect for book clubs and groups of friends to read together.

Small Kingdoms and Other Stories by Charlaine Harris. 5/5
I absolutely loved this collection of stories about a former professional trainer of spies and special ops teams turned high school principal. The twists were excellent and often unexpected, and the characters were smart and sharp. Harris captures the environment of the small town, Southern school with wicked precision. Anyone who enjoys thrillers will like this book.

The Violent Century by Lavie Tidhar. 5/5
This is a brilliant reimagining of superheroes and super-villains, set in the many wars of the twentieth century. When an experiment causes a small number of the world’s population to become changed, governments rush to snap up those who can serve best as weapons. The novel follows two heroes, Oblivion and Fogg, from their training as young adults through their service in WWII, Vietnam, and other conflicts. Along the way they work with other changed people, men and women with widely varying powers and abilities and motivations, negotiating lives no one else will fully understand. This is an intelligent novel, a superhero story with deep philosophical roots, with a great sense of history and the consequences, historically speaking, of action and inaction, and a fabulous read with fascinating characters and ideas.

The Swallows by Lisa Lutz. 4/5
Both a send-up of an homage to the private school novel, The Swallows details what happens when the girls at a school find out about the crass and cruel contest the boys run in ranking the girls’ prowess at oral sex. Told from multiple viewpoints, The Swallows is a testament to girl power, a self-mocking parody, a story of trauma and abuse, and a novel of self-discovery. Recommended for anyone who has previously enjoyed this genre, including books like The Secret History or Special Topics in Calamity Physics.

Darkwood by Gabby Hutchinson Crouch. 3/5
A decent reversal of traditional fairy tales. In the world of the Darkwood, the government’s Inquisitor-like Huntsmen use a magic mirror to hunt down witches–people with magic powers. But the witches are often helpful and sometimes fairly useless in their powers–one turns everything she touches into baked goods, for example. When Gretel–who does math, something no girl in this world does–is branded a witch, she flees to the Darkwood, where she quickly finds comrades to help her fight back against the Huntsmen, who are intent on destroying her village, family, and friends. It’s a cute read, although the constant use of “trousers!” as a swear word is grating after a few pages. Good for elementary school-age kids and family to read together.

One Night in Georgia by Celeste O. Norfleet. 3/5
I have very mixed feelings about this book. In 1968, three college women and an initially-unwanted college man decide to drive back to school from New York. Naive Veronica, whose father is forcing her to marry against her will for business reasons, takes her brand new, bright red Ford Fairlane convertible and packs it with her friends Daphne–a fragile flower–and Zelda, the novel’s protagonist and a putative lawyer for civil rights. Daniel, attending college near the women, goes along to ostensibly protect them. But this isn’t a simple road trip, because driving through the South in 1968 while black is incredibly dangerous, and Zelda, Daphne, and Veronica are headed to Spelman College, and Daniel attends Morehouse University. Passing through sundown towns and dealing with racist and brutal cops, gas station attendants, restaurants, and more–and encountering a few decent white and black people along the way–Zelda and Daniel fall in love, Veronica and Daphne realize the importance of Zelda’s work in civil rights, and things go wrong and stay that way when the group is involved in the shooting of a white man.

On the one hand, this novel does an excellent job of illustrating just how dangerous it was–and often still is–to be black in the American South, On the other, the characters in this novel make such unbelievably foolish choices and do such vacuous things that I wanted to yell at them all. The story is a tragedy, and one based in racism, but the author could have written the same tragedy without having made the women all be so dismissive or ignorant of their surroundings.

The Heart of the Circle by Keren Landsman. 3/5
Although I felt that this novel got off to a slow and rocky start, I ended up enjoying it. In a world where a large part of the population have powers, political extremists are trying to take away their rights. Some individuals have elemental powers–like the characters in Avatar: the Last Airbender, to make a pop culture connection–while others can see possible futures or sense and alter emotions. A group of friends with various powers finds itself trying to prevent multiple deaths of those in the group while also mentoring young people with powers, navigating their own complex personal lives, and dealing with state and police minders. As the group works to protect its own from targeted attacks, the pace and intensity of the novel picks up, and races to a satisfying end. While it’s set in Tel Aviv, I didn’t get much of a sense of the city, and there are some grammar and syntax errors that result in some confusing passages.

After Yekaterina by K.L. Abrahamson. 2/5
The premise–a murder/conspiracy mystery set in a tiny, autonomous, Russophone country in an alternate reality–is a good one. But the writing is repetitive, sluggish, and needs a heavy copyedit, and the descriptions of women throughout are sexist and off-putting. The male gaze is overwhelming. There are also a few too many echoes of Gorky Park in this as well, which will inevitably invite comparison–and this book will not come out the winner in that.

Becoming Beatriz by Tami Charles. 1/5
I am not sure I have the right or enough words to express how much I loathed this book. Beatriz is a gang member, selling drugs in schools and on the street. Her brother runs the gang until he’s killed by a rival gang. Beatriz becomes depressed and takes a hiatus before resuming her gang activities. Oh, and Beatriz is a dancer who loves Debbie Allen on Fame! and wants to become a professional dancer. And apparently in the world where Beatriz lives, you can do just that–or at least get a great start–with a few tough dance classes and supportive teachers and friends. I learned more about dealing drugs in this novel than about Beatriz’s efforts as a dancer, because the dance parts are all glossed over with exclamations of dance terms–plie! Jete!–and banal descriptions of Beatriz’s happiness dancing. It demeans the intense training and work dancers do in the real world, and it’s terribly facile and often silly. While the author tells the reader that Beatriz faces real danger in leaving the gang, this too is mostly ignored. Beatriz herself is an entirely unlikeable, immature, egocentric character, and the other characters in the novel are created as such obvious foils for her—such as Nasser, the brilliant new Haitian arrival to the neighborhood who represents everything Beatriz distrusts but is also perfect, and Amy, the vicious leader of the rival gang who ordered the hit on Beatriz’s brother–that everything is very obvious and lacking in subtlety. Another few drafts, some workshopping, and some realism in the dance portions of the book would strengthen it immensely, but as is, it’s not ready for prime time.