Where am I? Jan-Feb 2021

Upcoming talks and workshops:

23 January, 4-6 pm CST: Writespace Panel: Creatives on Creativity, with author Karleen Koen (moderator), Dr. Tony Medina (Creative Writing, Howard University), Kay Sarver (visual artist, blogger, co-owner of Houston’s Archway Gallery), Adam Castañeda (dancer and choreographer, Pilot Dance Project), and author Karen Celestan.

9 February, “Navigating the Antebellum South in Silent Film,” Washburn University.

13, 20, and 27 February: Writing Local Workshop through Writespace: Have you ever wanted to write about the stories from your home town or another specific place you’ve been to or lived in? The history of that Art Deco building and the people who lived in it, or maybe how your city coped during World War I? Maybe you want to dig in to local history to add detail to a story you’ve already begun, or want to make sure your characters are using the right kinds of slang. In this workshop, we’ll investigate tools and techniques for writing about local history, whether from a non-fiction, fiction, or poetic point of view. You’ll learn how to use free online resources to find information from newspapers, census records, and other documents, as well as small museums, local historical societies, and other places. We’ll talk about creating characters that are in keeping with their localities, including how they speak, interact with others, and participate in local customs. This workshop is open to students from anywhere, writing about any place!

18-21 Feb, “Nostalgia and Cultural Memory in Music for The General (1927),” Historical Fiction Research Network conference. I’m giving this paper one more academic outing to get feedback from a non-musicology audience before I begin reworking it into an article.

I’ll also be at the MLA Digital Project Showcase (7 Jan) and at the Opera America conference on New Music (26 Jan).

What’s next?

I’m beginning to plot my new scholarly project and figure out how to balance it with my creative work. I need to keep in mind that I have no deadlines for the scholarly project, and that it can develop as slowly or quickly as I want and can handle. I’m not going to seek out a traditional publisher for it–I’m very happy with the way my last book, Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism, turned out using open peer review and Humanities Commons. I’m trying to learn to work at a new pace in which I do a better job of taking my chronic illness into account. Right now I feel pretty stable, having spent the last year trying various treatments for lupus/mixed connective tissue disease. I’m on a combination of medications that seem to be helping; and I just had radiofrequency ablation of my right occipital nerve for severe occipital neuralgia and am hoping that it will provide pain relief for the next several months.

There are so many projects I want to take on, but I’m increasingly aware of my own limitations and the human life span. I’ve got a spreadsheet full of scholarly ideas if anyone wants them–I know I won’t get to them all. I’m also aware that some of the projects I’d love to do should be done by other scholars. So as much as I’d love to work on composer Julia Perry, I think that as a white woman, I’m not the ideal person. I have PDFs of lots of her scores & would be happy to share/assist with anyone interested in her and her work. The same is true for composers Amanda Aldridge and Dorothy Rudd Moore. I’m eager to read what others write about all of them.

 

In Isolation

My poem “Tell Us What You’re Doing We Want to Know How You’re Coping with the Pandemic” appears in In Isolation, available now!